Kaiserslautern Feb 2019
Strong Ballads and the bonus of a grin
Singer-songwriter Morgan Finlay fills the Salon Schmitt
By Matthias Haag (translation Christina Düking)
Not quite a normal concert evening at the culture club "Salon Schmitt". Irish-Canadian singer-songwriter Morgan Finlay in his role as musical storyteller had an effect like an invisible magnet and made the club burst at the seams.
The very reverb-lined vocal microphone, through which the singer shouted out "Herzliches Willkommen in der Salon-Schmitt-Arena" ("a very warm welcome to the Salon-Schmitt-arena") accompanied by a wink, was fitting this perfectly. Over and over again new guests were arriving; thus the audience in the front row changed several times, as further seats and even a couch were added. Due to this great interest, the guitarist was playing proverbially with the back to the wall, but never felt harried. On the contrary: Morgan even used the remaining free space on the red stage-carpet for his twitching guitar moves, boot-stamped beats and one-legged performance.
Finlay starts with a feel-good love song, whereby one already feels his empathetic way of presenting. Not only the girls in the front row are enjoying his warm, light raspy timbre. "Slip & Fall" comes flying along as an elating track carrying one away. Soon, even the lobby is crowded. No getting through any more; thus, Morgan simply managed the ordering of beers via microphone, which brings him the audience's bonus of a grin. An important part of the experience are Morgan's explanations of the contents of his songs and the development thereof. His ballads are especially strong songs, which he presents with a voice in a style of a young Bryan Adams. For the accompaniment, he uses the pick most of the time; in rare cases he uses finger-picking technique. A special highlight is "Pixels"; a minor plucked harmony row with open chords. As Morgan is a very experienced songwriter, who presents melodies with many variations, it never gets boring. He not only presents his current album, but also draws songs out of his large catalog; proving it is possible to perform a show with an acoustic guitar without doing complicated exercises on the fingerboard. That speaks in the favor of the effect of his songs, mainly due to his voice and the confident presentation.
"All for good times" is an impressive example for a good song without many chords and a good groove; yet, one should also listen to his songs in the band arrangement, which will make you want more. Some of his albums were financed via crowdfunding. He states that his ability to write even gets better under the positive pressure of his listeners pre-financing an album – who, in return, can choose the best songs. That way, he wrote 21 songs in 30 days in a Newfoundland log cabin.
Morgan Finlay gets inspiration for writing whilst travelling by train, which he prefers when being on tour. A modern singer-songwriter, who is happy to abstain from the digital world when it comes to creative processes. The result proves him right. There is no escape from the "salon-arena" without an encore.
witzenhausen jan 2019
Sonthofen jan 2019
Triggerfish June 2018
(English translation)
Morgan Finlay is a Canadian-Irish singer / songwriter who has lived in various parts of the world for many years and is artistically inspired by the respective locations, which then flows into his music. Currently his base is Hamburg - where he created his new album "Little Calm". At a young age, he learned that he was in high debt for the production of his debut EP "Uppercut" (2002). As a result, he began crowdfunding for the last albums while going with something quite unique for the format of his albums: He offers his music in different quality levels as a download, bypassing the CD entirely. Alongside the digital downloads, he produced booklets in the format 15 x 15cm, which are beautifully designed lovingly and in addition to the lyrics also contain many photos of the respective places where the music was created.
"Little Calm" is now his "Hamburg-Album", recorded and produced together with Bente Faust in Off Ya Tree Studio in Moorfleet. While the recording was done on analog gear to multi-track tape, the tracks were processed digitally for the mix. 10 songs that describe places in Hamburg under many lights, but of course people, their feelings, relationships or actions. He is accompanied by Hamburg musicians. The arrangements are carried by his acoustic guitar, but bring full band sounds, without being overburdened at any point. Jürgen Hoffmann plays wonderful acoustic guitar solos and the rhythm section with bassist Hajo Cirksena and drummer Alex Jezdinsky perform very tastefully and in sync.
The Irish roots are clear in the songs and the way Morgan Finlay plays them. This is most evident in the final track "Celtic Tiger", a love song that Finlay wrote to his partner, whom he met in Nuremberg at a living room concert and now lives with in Hamburg. Elsewhere on the album you can hear a sound reminiscent of "Fisherman's Blues", the waterboys legendary fourth album, and also the passion that Finlay puts into his talk makes you think of Mike Scott. His songwriting plays with well-known elements, but makes them his own and even if a reference can be found for every chord or melody arc, it remains an independent work that immediately wins the listener.
The ten songs of the record can all convince. The album starts with "Tugboat" and "You Do It To Yourself". "Tiny Stages" then thrilled in a very reduced arrangement, which comes closest to the way Morgan Finlay currently plays live - solo, acoustically. "Fortune Cookie" brings life back to the booth and "Slip & Fall" is another highlight.
Morgan Finlay's "Little Calm" proves that great music can now be produced in crowdfunding-funded settings. His records are available at bandcamp.com - if you want to buy the books you have to look under "Merch". Alternatively, you can of course also look on his website, if there is an opportunity to experience it live and to buy the books directly from him. It is worth it!
Rating: 5 out of 6
Folk World
This is steady and quite hearty fare. Finlay hails from Canada and has a more broad based style than that of many on the East Canada folk scene. There is a light rock beat through much of this singer songwriter material. His voice is like a more spritely Richard Buckner and is inviting enough to bring you into his music. Like just about any album, some songs resonate stronger than others. I appreciated the folkier numbers, but there were only a couple that really stood out as keepers for the relisten pile. He is worth a listen and will succeed with a lot of fans of good songwriting.
Stalker
English translation:
Canadian born singer/songwriter, Morgan Finlay, released his fourth full length album, “Fault Lines”, in October. It was crowdfunded in close collaboration with the fans and released only on iTunes.
So much for the bare facts but what about the music? I instantly liked it; it drew me in with the very first song. Finlay’s voice is just a little bit rough – it sounds as if he has “lived a little” and that fits perfectly for the storyteller he is. And his stories are well worth listening to, no matter if he talks about things happening “lifetimes and memories ago” (Blow By Blow) or “managing my hurt” after a love has ended (Stand Here Alone). All the lyrics made me want to take a second look or a third. My personal favorites, however, are “The Fisherman’s Son” for its mysterious mood and “Lovers C T D H L” for its melancholia and haunting guitar melody.
The instrumentation of guitars, piano, drums and more is always interesting and goes well with the story the song tells. As a whole, the album flows nicely from one song to the next, sometimes with a Country-ish feel (Fault Lines), sometimes reminding me of Joan Baez (Take This With You) and sometimes just a stripped down guitar (Your Quiet Place). No song is like the other, yet the style remains recognizable throughout. Overall an album that makes me want to check out what else Morgan Finlay has published.
Remscheid oct 2013
Morgan Finlay, a Canadian singer-songwriter, captivated the crowded "Rack’n’Roll“ on Sunday with an outstanding performance full of dynamics. Sometimes he showed his sentimental side with campfire romantic, and then again the Canadian raised a wild storm on his guitar and let the fingers fly across the strings – including distinctive vocals. "We'll start after a soundcheck“ said Finlay at the beginning, with his charming mixture of German and English, and proved as well his skills as entertainer right away. The soundcheck played one single chord, and off it went right into a set that the artist himself rightly named as roller coaster ride. With the "California song“ Finlay set a rhythm full of groove and groovy melodies. Still, the song offered enough space for the musicians blasting rock voice. But Finlay also showed his face with "Blow by Blow“. With a frisky and cheerful melody, the piece turned out as guarantor for high spirits. At the great goose bump moments, the artist calmed down though. With warm, dreamy tone sequences, which made a felicitous contrast to his throaty voice, he quickly fascinated the crowd. Once Finlay even couldn’t resist behind his microphone and the musician with his guitar set out for the audience. That matched the basic idea of singer-songwriter and brought the music back to it’s essential character, to the reason, why you make music. You want to reach the people emotionally. The crowd romped and some guests showed their enthusiasm loudly. After some ballads, like the under-a-minute "Take This With You“, devotional silence was absolute. Some things you had to ease down first. "I’m still trying to find out if this is something good“ said Finlay with a big grin. In between the songs, the Canadian presented himself as well and truly personable ,and reported of his life as musician and globetrotter. This caught the guests, who took the chance for a chat with the artist in the breaks and after the concert. It leaves the Finlay-fans hoping, that the fond-of-travelling musician stops in Remscheid again soon. Hagen Thiele, Bergische Morgenpost
Kiel April 2012
Musik an Sich
English translation:
This singer/songwriter comes from Canada, from Vancouver to be precise.Meanwhile he can look back on three record releases since 2005, as well as two EPs, as early as 2002 and 2005.
But he was already musically active in the 1980s, partly even as a member of opera performances and with his own a cappella band, back in 1992.
His latest recording is currently only available as digital download. While Finlay already financed his third album through Crowdfunding, which is rather popular with artists, he now called upon his listeners to do the same thing again, in order to deliver his fans a flawless final product including a beautiful booklet.
The music heads towards folk music, under the umbrella of the singer/songwriter genre. Quite down-to-earth the protagonist tells us little stories, which are mostly acoustically arranged and presented with a pleasantly smooth charisma.
He does this in an easy and relaxed way, and in addition to some quite minimalistic tracks there are others, which are harmoniously supported by skilled musicians. And then, with the title song, a hint of Country sneaks in.
His way of writing songs, as well as the timbre and voice leading remind me more than once of Jules Shear, one of those great songwriters, who never made it to the top. Perhaps this will also happen to Finlay, just because his music is so down-to-earth. Nevertheless, his pleasant music will definitely ensure that he will always have a circle of affectionate fans.
Because whatever he delivers is worth to be heard.